Dieter Steffmann, an esteemed typesetter and type designer, has crafted the popular Gothic script font, Cloister Blackletter. This font is showcased in Heinritzh Sales’s instructional illustration guide, “Creating Complex Style Illustrations: A Process.” 
Steffmann also created Blackletter, a robust and captivating font characterized by its sharp, pointed terminations at the base of letter stems.
The Canterbury Old English font captures the essence of the European medieval era.
Peter Wiegel, a German CAD and font designer, has developed a blackletter font with compact ligatures and refined contours.
Roger White, a designer specializing in font recreation through scanned artwork, has introduced Rochester, an emotive Gothic script font.
This font is derived from a 1514 manuscript by Wolfgang Hopyl, a Parisian printer.
A simplified version of Kingsthings Spike, this tribute to blackletter fonts features fewer embellishments and enhanced readability.
Manfred Klein, a German type designer and writer, has produced a robust, thick, and organic Gothic script font.
The Hartwig-Schrift font, a striking German typeface with a calligraphic quality, owes its compact appearance to minimal tracking.
Paul Lloyd, an Australian type designer and a UK expatriate, has crafted this bold Gothic script font.
